Namhlanje ukugqithiswa kweefoto zobungcali mhlawumbi akufanelekanga ukuthetha ngazo. Kweli hlabathi lanamhlanje lokuphuhlisa ngobugcisa ubugcisa bezithombe, umyalelo wefotshane yesithombe sele uqwalaselwe kungekhona nje umsebenzi, kodwa kunye nokuzonwabisa, ukuzonwabisa, kunye nethuba lokubonisa i-photogenic yayo, ubuhle kunye neengubo zokugqoka. Namhlanje, ukufotowa akulaywanga kuphela umcimbi osisigxina okanye esibalulekileyo. Abaninzi abasetyhini befashoni, kunye neenkampani zentengiso, ngaloo ndlela bathengisa izinto zabo zobugcisa kunye neempumelelo.
Enye yeemaqonga ezidumileyo ekutshintsheni isithombe sele isandula ukuba yimantombazana kwengubo. Oku akusiyo nje ithuba lokubonisa ingubo enhle, kodwa neefoto ezinjalo zithandwa ngubuhle bentombazana yabesifazane kunye nobuchule. Kodwa ukuze wenze ukuba imifanekiso enjalo ibe namandla ngakumbi, kufuneka ukwazi ukuba yintoni iseshoni yesithombe kwengubo iphumelele kakhulu.
Imifanekiso ephumelelayo
Iintlobo ezintle zibhekwa njengezitshixo zengubo kwisigqoko, xa umzekelo uthatha i-posture setting. Kule meko, ukwenzela ukuba ukugqama kwengubo ayilahlekanga kungcono ukuhlala ecaleni, ukunyanzelisa imilenze yakho kwisifuba. Ukuba usebenzisa isitulo, ukuguqa kunye nezinto ezinjalo zokuhlala, ngoko umva wesigqoko ungcono ukusabalalisa kakuhle.
Ukongezelela ekuhleleni, iingubo ezimfutshane, kunye nemifanekiso enqumlekileyo, kukuhle ukubonakalisa kwisithuba sokuma eduze kwento okanye ukunyakaza. Kule meko, ukugqama kungenziwa kwakhona ngokugubungela isigxina kwizinto okanye ngezandla zakho, ukuyixubusha kancane.
Ukuba uthanda ukulala phantsi, ngoko kwiseseshoni yesithombe enjalo kukulungele ukugqoka ukugqoka ngokuhlwa. Kule meko, kungcono ukulala ngasecaleni okanye emva kwakho. Ukuba ulala ngesisu sakho, isambatho sakho siya kukhangela.
I-Photoshoot kwisambatho eside
Ukuba kukho umfanekiso wesithombe ubonisa ingubo emgangathweni , ukuphela kwesithuba sokutshintshwa kwayo yonke into enhle yengubo yimibuzo yokuma. Kuzo naziphi na ezinye izinto, iingubo ezinde ziza kufihlwa.
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